When Standard Foley Fails, Look for "Useful Noise"
The attempts we made at doing “standard” foley all failed. It all sounded “too clean, too much like it came out of a library” for Alejandro. By that, he meant it sounded too predictable. It wasn’t truly believable or compelling. The sounds we got for the bear moving that WERE believable were all done in a very non-standard way… basically just randomly stepping and dragging and throwing stuff around in this forest that lucky for me is about a hundred yards from my studio. The sounds that sold the bear movement were complex. A moist scrape, a quick series of quick twig snaps, a squish, and a mushy thud were nearly simultaneous elements of a single move of her paw in that forest that lasted two seconds. It was real, and alive, and it didn’t sound like “foley” too often sounds like… artificial.
The off screen trees creaking and unseen chunks of snow heard dropping from trees in the movie were definitely cacayanga. But so were those improvised and unanticipated elements of bear movement that we luckily caught and dragged into service.
None of this means that I think we should record and use only brand new sounds for every project. There is plenty of gold in sound effects libraries too (especially Sound Ideas). We just need to use the pieces we find in ways that feel fresh and unique.
Cacayanga is a sound or set of sounds that seem authentic, but embody a mystery that pulls you deeper into the story in part because they aren’t immediately identifiable.
Useful noise.